A
science fiction ghost story? It sounds like one genre too many, but –
as in Nigel Kneale’s best work in the Quatermass series – TheStone Tape satisfies precisely because it blends ideas that, in
clumsier hands, would collide jarringly. Come to think of it, they
often have…
The plot is simple: a research team from Ryan Electrics
(not, you’ll note, ‘Electronics’) moves into a long-derelict
country house. Unfortunately, the room earmarked for vital records
turns out to be haunted by the screaming apparition of a Victorian
chambermaid who died there, supposedly from a fall. Initial
scepticism gives way to experiment as team leader Brock (Michael
Bryant, going great guns as a ruthless bastard) fires up his boffins
to solve the problem.
Kneale’s central concept is the ‘stone tape’
theory of hauntings – some places can be imprinted with intense
emotions and replay them directly into a sensitive person’s nervous
system. This idea was adopted by real-life ghost hunters, but Kneale
didn’t leave it at that. As the play develops, computer whiz Jill
(Jane Asher, beautifully overwrought) speculates about the real
nature of the recording, and the medium. Is it merely inert
information? Brock doesn’t care – he’s wiped the pattern that
was causing the trouble (or so he thinks) and wants to get on with an
intra-company feud. Needless to say, things do not end with hugs and
puppies; rarely has the concept of life after death seemed less
appealing.
Seeing
the play for the first time I was struck by Kneale’s knack for
nodding to Hammer horror convention while simultaneously kicking it
in the rear. The standard ingredients of the familiar ‘house of
horror’ plot are all here, but rearranged and revitalised. The same
can be said for the characters. Jill, who addresses the problem with
true scientific rigour, is dismissed as an hysterical woman by Brock,
an immature egotist who botches things at every turn. Caught between
these two is the superb Iain Cuthbertson as the loyal but troubled
admin chief, leading an excellent supporting cast. There’s even a
mildly comic vicar, eager to probe the parish records for accounts of
dark doings.
The Stone Tape has dated, but
not too badly. While younger viewers may wonder at oscilloscopes and
clacking computers, the BBC Radiophonic Workshop soundtrack remains
eerily effective, and if there are a (very) few fluffs in this ‘live
recording’ the narrative pace never lets up. The DVD also includes
a chatty commentary from Kneale and Kim Newman, plus downloads of the
script and another Kneale drama, The Road. But never mind the extras,
the play’s the thing, and this one’s solid as a block of Kentish
rag.
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