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Showing posts from November, 2017

Vote!

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Democracy in action, and all that Vote for the best story in the latest issue of ST by mouse-clicking on the poll at the side. It should be over to the right somewhere. You know the score by now, old-timers. And you can vote for more than one story! Heck, you can even vote for ALL of them - rendering your contribution meaningless, but still, its a choice! Remember, the winning author gets the princely sum of £25! Imagine the luxuries they could buy with that. Two and a half pints of beer in London, say. But there's also the kudos of being more popular than several other people. And you can't put a price on that. Mrs Pankhurst explains the concept of Ladyvoting

'The Upper Berth'

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Over at the M.R. James podcast those wacky dudes have moved on from the ghost stories of Monty James - because they ran out of them, basically. They are now probing away at classic ghostly tales of the MRJ era. The latest podcast is on F. Marion Crawford's 'The Upper Berth'. ''The Upper Berth' was originally published in “The Broken Shaft: Tales in Mid-Ocean”, an anthology of tales told by passengers on a stranded ocean liner.' The excellent Mansfield Dark has produced an animated short version of the story here .

'Virtually Famous'

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The final story in Imposter Syndrome is by Phil Sloman. It's the tale of a celebrity, a big star whose face is known to millions. He is the subject of a virtual reality 'game' in which people get to live his life. Unfortunately, the internet being what it is, people soon start killing him. In fact he gets killed in ever more bizarre and inventive ways. Then he decides to play the game, and kill himself.  Virtually, of course. Will his long-suffering fixer be able to fix the resulting mess? 'Virtually Famous' is slightly reminiscent of Seventies sci-f of the sort of promoted by Harlan Ellison in his Dangerous Visions anthologies. There's a paranoid feel to it that combines elements of sci-fi, psychological horror, and noir crime fiction. It also - inevitably - holds a dark mirror up to our own era of instant, meaningless celebrity and grotesque self-indulgence. It's an appropriate ending to an anthology that explores so many different aspects of identity,

Issue 36 Available Now

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It's out! The magazine, that is. Issue 36, that's the three dozenth release from the mighty Supernatural Tales franchise. So, if you want to sample the new issue in print form, you can mosey on over to the POD Lulu.com page and order at least one copy. Possibly several. Or you can wait a wee while until the Kindle ebook becomes available. Further news of that later in the week. But what's in the magazine, eh? That's what you're asking. So let's have a peek at the opening sentences of some stories. I think you may detect a whiff of old-school ghost story, a soupcon of modern horror, and a general Gothicky tone here and there. 'The Templar Cup' by Paul Lewis Rain fell on London as I hurried into the station; that persistent drizzle which clings to the clothes and the hair so that one remains unpleasantly damp long after reaching shelter... 'The Chiromancer' by Tom Johnstone “Penny arcades not your thing, Willy?” asked Bertie, affectin

'Little Heart'

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Georgia Bruce - a writer new to me - contributes a remarkable story to the Impostor Syndrome anthology It's not easy to summarise. The first sentence is 'This woman liked to break things', and the theme of things being broken, and the damage caused by the debris, runs through the tale. Anna's mother was a famous film actress in black and white cinema days, and her most famous performance was in a rather Gothic production. Shown the film as a little girl Anna struggles to reconcile the on-screen woman - 'the wrong mother' - with the mother she knows. On screen her mother shatters glass, cuts her feet walking on the shards. This image is central to Anna's development as an artist, and what may be her eventually mental breakdown. A thread of confusion and doubt runs through a precisely-written story that has intensely cinematic qualities. The power of the projected image, the curious nature of mirrors, and the incursions of a terrifying bird-like entity

Cabaret Sadako

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It had to happen. The by-now rather tired horror movie trope of the long-hair Asian girl creeping about the place and pouncing on people has moved into mainstream showbiz . Riana’s gimmick is definitely a reference to The Ring’s Sadako and similarly scary female spirits, with her long hair falling in front of her face and schoolgirl-like outfit, while her doll calls to mind Annabelle from The Conjuring. Her ability to totally stay in character while still lending her trick a touch humor (and keeping it creepy) shows The Sacred Riana is quite a talented performer. The Sacred Riana did not appear out of thin air on the set of Asia’s Got Talent. Her real name is Marie Antoinette Riana Graharani and she’s been performing in Indonesia, at magic shows and in numerous TV performances, for a few years now.  Marie Antoinette? This just gets better.

'The Wrong House'

Tracey Fahey's contribution to Impostor Syndrome is compact and straightforward, but still manages a cruel twist. A man becomes convinced that his wife, daughter, and home are all spurious - this is not the family he remembers, not the home he used to wake up to. He goes to work, feeling relieved when he escapes 'the wrong house' - but when he gets to work it seems that he is on extended leave. Confusion. A colleague's remarks hint at something wrong, and a medical appointment leads to a revelation that cannot be borne.  I found 'The Wrong House' moving, a story that is humane and decent while avoiding any sentimentality. In a way it's a tale of everyday horror, the stuff of news reports that we barely notice most of the time. Here there is no malice, only the terrible weight of the truth that so many of us struggle to bear. Only two more stories to go in this review. Remember to check out the link above for details about the book!

The Sound of Horror

What is the sound of horror? 'Ker-thunk!'? 'Eeek!'? 'Squelchy-squelchy!'? Possibly. But it is also a radio show down in Brighton and Hove, where Tom Johnston discusses the genre and introduces readings by Thana Niveau. But let the blurb for the show tell you more... The Sound of Horror. Local writer Tom Johnstone discusses the importance of sound in horror, drawing from radio, film and music he will examine his favourite subject for Halloween. As an example of radio-based horror fiction, we'll hear an extract from Thana Niveau's terrifying short story 'Two Five Seven', about numbers stations. if listeners want to find out what happens in the remainder of 'Two Five Seven', they'll need to buy a copy of The Eleventh Black Book of Horror from Mortbury Press...& More info about the author at thananiveau.com We'll also hear one of Tom's supernatural stories, 'The Apotheosis of Jenny Swallow' More info at tomjohnsto

'Hold My Hand and I'll Take You There'

This story in Impostor Syndrome  left me a tad puzzled. What is it about, and where does the imposture occur? Ralph Robert Moore's tale is a moving, clinically precise account of two lives that could, should, and perhaps did in some sense intersect. It is arguably a story about the What Ifs of life, and in this case love. The title, I think, is a clue. It's a beautiful song, but it is sung by star-crossed lovers parted by death. The story told here is (in its way) beautiful but death casts its shadow over all. We begin with Noah, a small boy who gets seriously ill. As we're in America his parents have to pay vast sums for his leukaemia treatment, but it seems to be failing. Noah's illness drives his parents apart, adding to his suffering. Meanwhile a young woman called Audrey is suffering from increasingly severe mental illness, one that isolates and almost destroys her. But one day, undergoing yet another bout of treatment, Audrey sees a TV news item about Noah...

'Other People's Dreams'

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Stephen Bacon's story in Impostor Syndrome  nods to Edgar Allan Poe, among other Gothicists, despite a thoroughly realistic setting and premise. The first-person narrator is the amnesiac survivor of a terrorist bombing in Nuremberg. Why Nuremberg? Well, in part because of Kaspar Hauser, whose mysterious appearance and equally mysterious and violent death continue to intrigue many. The nameless survivor - who seems to be British but has no ID - is plagued by nightmares that he comes to believe are someone else's dreams. When he catches sight of a man who seems to be his double he develops a plan that will allow him to return to normality. This is a tricksy tale, in that I was left uncertain as to whether the supposed doppelganger ever existed. This is not a failing, for me, as unnerving confusion is a very acceptable horror ingredient. I'm past the halfway point in this anthology and am well satisfied with the standard thus far. More to come soon.

The Similars (2015)

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Imagine a horror movie so strange that it resists easy categorisation. Imagine a Mexican film set in 1968, in a bus station. Imagine a plot that defies logic but has a remorseless, dream-like coherence. Imagine me writing an entire review like this. But it's difficult to stop, because this slightly ropy Rod Serling-style intro is just what The Similars offers. Among other things. The Similars is one of those films that I watch all the way through because I'm genuinely intrigued. What on earth, I ask myself, is going to happen next? Superficially it's a tale of sci-fi horror, as a group of disparate individuals end up in a bus station some distance from Mexico City in a torrential storm. The rain is so bad that it's made road travel impossible. This is bad news for Ulises, a man whose wife is giving birth in a city hospital. He can't get to her, and is understandably stressed out by the unhelpful attitude of the sleazy old station manager, Martin. Martin spends

'The Insider'

Continuing my running review of Impostor Syndrome we come to Neil Williamson's tale of psychological horror. It strikes me that all of the stories thus far have been timely, in that they deal with ideas or themes that are in the air. Folk horror, identity theft, the contentious history of empire and colonisation. 'The Insider' is also bang up to date with its subject of a Twitter troll who appears to have stolen the identity of an amiable company guy who never seems to get the promotions he deserves. But things are, as they say, not quite what they seem. This is a concise, economical tale that pulls no punches in its depiction of what's become known as toxic masculinity. We see the self-assessed 'nice guy' who bigoted online from both sides. It's implicit that the modern corporate environment, and by extension the world is creates, is a swamp of resentment, fear, and dishonesty. Within this, Williamson implies, only the dark side of our natures can flou

'What's Yours Is Mine'

Holly Ice's contribution to Impostor Syndrome is, in some respects, the most straightforward story so far. Sophie visits her mother who is suffering from early onset dementia. A friend of the family reveals a secret that's been  kept from Sophie since early childhood - she has an older sister, Isabelle. The scar on Sophie's arm was not from a cycling accident. Isabelle is confined to a hospital and her mother has been visiting her regularly for decades. Understandably staggered by this revelation Sophie decides to go and meet Isabelle, only to encounter a woman who looks uncannily like her. Things then take a nightmarish twist, one that is arguably a little too predictable. However, the story's ending has a genuine modern Gothic feel, as Sophie discovers just how dangerous Isabelle is. 'What's Yours Is Mine' is a well-written tale of existential horror, suggesting - quite rightly - that even the most ordinary-seeming family can harbour strange secrets.

'Who Is That On the Other Side of You?'

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The third story in the Impostor Syndrome anthology is an ambitious tale by Timothy J. Jarvis. The title is taken from The Waste Land , which is apt given that the setting is (mostly) Antarctica. This is the white continent of Captain Scott and his great rival Amundsen. Scott and other members of his expedition feature in the narrative, albeit peripherally.  The focus is on two unlikely anti-heroes who arrive in the Antarctic at the same time in pursuit of a portal into the hollow earth. The two men are uncannily similar despite being unrelated - doubles who seem like identical twins. Their adventures are strange, violent, at times disturbing. The world the author creates is that of the Gilded Age, the US after the Civil War when robber barons prevailed. The author throws in magic (with even a passing reference to Aleister Crowley), to create a rich stew of decadence and vaulting ambition. The main problem with the story is that the quest at its heart either leads into t