Showing posts from October, 2012

The Shining - Sweded


October Dreams

Enjoy Michael Kelly's splendidly atmospheric vignette from the latest issue. Music by Tony Tooke, reading by yours truly. Shades of Bradbury and the Twilight Zone on All Hallows' Eve.

Online seance

'Tis nearly the Witching Hour, by Greenwich Mean Time anyway, so I offer you, my insomniac or differently-time-zoned reader, a special treat. An online psychic reading! The spirits move through me, and thanks to them I can reveal your inmost secrets... Do you have a name beginning with a letter of the alphabet? Yes, I know, it's spooky, but stay with it... Have you ever been really disappointed? Did it involve love, money, or possibly something else? Is the colour blue, the number three, or a large watermelon important in your life? What's that crawling up your leg? Perhaps I should end this psychic session now, lest I go too far. And I must stress that psychic powers are not to be meddled with by the uninitiated. Check out Mr Nude...

Call for submissions

Tartarus Press are seeking stories for a special anthology of ghost stories. It's entitled Dark World and details can be found on the TP website here . Publication is scheduled for February, so get a wiggle on, authors!

Halloween Horror Films to Watch Drunk With Friends

Sometimes you watch a film sober. Sometimes you watch a film drunk, preferably with friends. With the latter viewing experience in mind, here are a few ideas for viewing 'pleasure' that might make this Halloween special. It all depends on your definition of special. 1. Planet of the Vampires (1965) A fairly bad Italian sci-fi caper that, oddly enough, seems to foreshadow Ridley Scott's Alien . It's notable as an early effort by legendary giallo nutcase Mario Bava. It's about this planet, and when they land on it, there are vampires or maybe zombies. Some stuff happens, but really it's more a series of incidents held together with variable acting and interesting costume choices. I quite like the spaceship. 2. Deathline (1973) Also knows as Raw Meat, this is the one about cannibals on the London Underground. I'm not really giving much away because it's obvious quite early on that we're dealing with the degenerate survivors of a Victorian tunnel

Edith Nesbit's ghostly tales

After going on about M.R. James (admittedly in his 150th anniversary year) it's only fair to mention other fine ghost story writers of the early 20th century. One of the leading ladies of the era was E. Nesbit , who is deservedly famous for her children's books. However, she also wrote some cracking weird tales, and dramatised versions of five of them can be heard on Radio 4 Extra next week. The stories are 'The Violet Car', 'John Charrington's Wedding', 'Man-Size in Marble', 'The Shadow', and 'The Ebony Frame'. And a link to the Edith Nesbit Society? You're welcome.

Farewell, stately ash?

M.R. James' 'The Ash-Tree' is one of my favourite ghost stories, not least because of the weirdly nasty pay-off  I mean, who'd have thought that she would have... you know... Deeply disturbing ideas. But it seems that the ash tree in the English countryside might soon be a thing of the past . "Thousands and thousands" of ash trees could die at a nature reserve where symptoms of Chalara dieback have been seen, Suffolk Wildlife Trust has said.  The disease was reported to have wiped out 90% of ash trees in Denmark and earlier in the week was confirmed at Pound Farm, near Great Glemham.  The trust said symptoms had now been found at its Arger Fen and Spouse's Vale reserve, near Sudbury.  A spokesperson for Suffolk Wildlife Trust said they were "very concerned". And where is 'The Ash-Tree' set? 'Castringham Hall in Suffolk'. It may be that, in a few years' time, the story will seem markedly more dated, more emphat

The Witches Maze

... might be a good title for a story, but is in fact very much a real thing . It's a memorial to 11 witches who were legally killed in Scotland in 1662. According to the BBC report: The castle was once home to William Halliday and his son John who held court over the 'covens' in the village.  Lord Moncrieff, who now owns Tullibole, commissioned the maze as there is no memorial in Crook of Devon.  In 1662 the court sat five times and resulted in the death of 11 suspected witches.  Those who survived the trials were taken to a small mound near the current village hall and strangled by the common hangman and their bodies thrown on a fire.    The central pillar of the maze (commenced on the orders of Lord Moncrieff in 2003) bears the names of the victims on its five sides. You can find out more about the background to the trials and the victims here . The pillar was carved by Gillian Forbes. The maze naturally made me think of M.R. James' story 'Mr Humphr

Egyptian Interlude - Terrors of the Nile?

Interesting comment from Sam on my Halloween Movie post 'Blood from the Mummy's Tomb'. What scared at that age was its Ancient Egyptian-ess, in that I didn't know any remedies against anything that came from that era. I vaguely knew about how to avoid/fight vampires, witches and WW2 German and Japanese soldiers, but not what to do about that culture... I can see how that might have been worrying. But, oddly enough, my own response was the exact opposite. To me there was never anything intrinsically scary about Ancient Egypt except for the mummies, which were magically reanimated corpses. All the other stuff was too alien to be worrying. And the more I found out about Egypt the more non-threatening it seemed. Here was a culture that valued life so much that its people wanted another go, so to speak, anticipating an afterlife full of the pleasures of this world. They enjoyed food, drink, music, love and friendship, and the good things in general. Their world was sunl

Leave Your Sleep

Ray Russell tells me that he has a new book out. The collection, from PS Publishing, is available in hard cover and runs to over 200 pages. Here's the blurb from PS Publishing. Following on from Literary Remains, R.B. Russell’s previous collection for PS Publishing, the twelve stories of Leave Your Sleep concern sex and death, love and loss. Russell allows his characters to disappear, slip into alternate realities, or re-write their own histories. They find they are able to do the most extraordinary things, even though they may not immediately realise it. And who is in control of their actions, or those around them? If you want to know more, here is a link to PS. As you can see from the cover, it's a rather classy book. Incidentally, Leave Your Sleep includes Ray's sexy story 'The Dress', which was published in ST under a cunning pseudonym. Which raises the question - are any other famous persons publishing under assumed names? You never know.

Halloween Movie 9. The Fog (1980)

Yes, I know it's an obvious choice, but have you watched it lately? It's tremendous fun and chock-full of goodies, from the deliberate slowness of the opening half hour or so to the gradual accumulation of strange and disturbing details as the ghost-infested fog draws in. Absurd though it may be in some respects, for me The Fog is one of the great ghost stories on film. Nautical spooks are fun, nemesis always provides a good plot motor, and the idea of supernatural forces wreaking wild vengeance on a community is now a time-honoured classic, thanks in part to Carpenter. While Halloween was vastly more successful, for me this is the quintessential story for the last days of October - it has the authentic chill of the sea about it.

Halloween Movie 8. Blood from the Mummy's Tomb (1971)

Based on Bram Stoker's not-easily-read novel  The Jewel of the Seven Stars , this is a Hammer film that, with the benefit of hindsight, represents almost the last hurrah for the traditional 'lots of old furniture and people shouting' school. I've always had a weakness for Egyptian spookery, and this one comes closet to capturing the (admittedly very silly) idea that the curse of the pharaohs might represent a truly existential  threat to modern civilization. The excellent cast includes James Villiers as a posh baddie of the old school, Andrew Keir of Quatermass fame, and the curvaceous Valerie Leon, who featured heavily in the publicity campaign for the film. This one deserves a respectful remake, I feel - modern effects could work well witthin the framework of a looming psychic onslaught. Also, today they'd make a much better job of the snake, the cat, the wandering severed hand... Anyway, there's a  nice 'making of' feature here .

Halloween Movie Interlude - 'The Lost Will of Dr. Rant'

It's a condensed (or, if you like, mercifully short) adaptation of an M.R. James classic - starring Leslie Nielsen! And don't call me Shirley!

Halloween Movie Interlude - 'A Warning to the Curious'

This throbbingly spooky film was made by author Helen Grant and her two children.

Not sure if M.R. James would approve


The Ghosts & Scholars Book of Shadows

My review copy is here... If you click on the image it will magically embiggen itself so you can read the list of authors etc. But by the time I actually review it, it will be sold out I suspect. So instead of waiting for my opinion (yes, I know you want to) why not mosey on over to Sarob Press and order a copy?

Halloween Movies 6. & 7. Fleshy Waxy Screamy Double Bill!

Two classics from the early Thirties, next, with The Mystery of the Wax Museum (1933) and Doctor X  (1932). Both films star Lionel Atwill and Fray 'Eek!' Wray, and both were directed by Michael Curtiz . Both are bonkers but engaging, and I have to admit that I found myself warming to Mr Atwill and Miss Wray. What's more, the brilliant Curtiz makes both films look better, with pre-war technology, than 99 per cent of the stuff produced nowadays. Curtiz's gifts are particularly evident in Doctor X, an absurdly-plotted story that feels a bit like a wildly improbable Sherlock Holmes mystery, but only if Conan Doyle had chronicled the great detective's dreams under the influence of powerful drugs. The film was produced before the notorious Hays Code severely restricted the range of violence, sex and general depravity that film-makers could include. This might explain why, for all its period charm, it has a distinctly grisly plot and some weirdly disturbing scenes.

Halloween Movie 5. The Haunted Palace (1963)

Roger Corman successfully emulated the Hammer horror model in America, adapting stories of Edgar Allan Poe for the big screen. Unfortunately the number of Poe stories that make halfway decent movies isn't that great, and Corman's production line approach got through them rather quickly. So he tried his hand at an adaptation of H.P. Lovecraft's The Case of Charles Dexter Ward . The result is a film originally billed, with typical Hollywood accuracy, as 'Edgar Allan Poe's Haunted Palace'. On one level, it's all ludicrous. In 1765 warlock Joseph Curwen is burned by the usual angry mob, but for some reason his castle (imported to New England from Europe, stone by stone - like London Bridge, I suppose) is left standing. Not only that, but his ghoulish retainer/disciple, played by Lon Chaney Jnr., is still looking after the place when Charles Dexter Ward and his new bride Anne arrive to take possession of the ancestral pile. Vincent Price plays Ward and Curwen,

Halloween Movie 4. Night of the Eagle (1962)

Based on the novel Conjure Wife by US author Fritz Leiber, this relatively low-budget British film is notable for strong central performances, some good dialogue, and a plot that holds us rather well. (One major theme is the idea of sexual exploitation of vulnerable young women by older men in positions of power.) The black and white starkness of many scenes gives NotE a 'classic' feel, and the setting - a British university - is well evoked. Leiber's basic premise is very simple - magic is real, and women are often witches who use spells to advance their menfolk's careers. When psychology professor Norman Taylor (Peter Wyngarde) discovers that his wife Tansy (Janet Blair) has been putting magical protective items around their home, he sternly reminds her that - as a social scientist - he can have no truck with such superstition. But when he dispenses with the 'trash' his life takes a turn for the worse. Director Sidney Hayers handles Taylor's descent fr

Halloween Movie 3. The Reptile (1966)

The Reptile is one of Hammer's odder ventures. By the mid-Sixties the studio, which had done so well from reviving Dracula, The Wolfman, Frankenstein, and the Mummy, mid-Sixties Hammer was struggling a bit. But they had to keep churning 'em out for their American distributors, so producer Anthony Hinds (under the name John Elder) bashed out this low-budget drama about colonial curses. This is one of those films in which a sensible chap takes his new bride to a country cottage in a neighbourhood where people die horribly for no readily apparent reason  It's not difficult to figure out what's going on, but the nature of the horror is interesting. In a way it inverts the conventional vampire theme, with the monster of the title arguably as great a victim as any of the hapless folk found frothing in the foliage. There's a distinct touch of Conan Doyle about some plot developments, and an interesting subtext about Victorian attitudes to women as well as a more obvious

Halloween Movie 2. Night of the Demon (1957)

As this one has been praised to death by almost everyone, I won't bang on again  about how good it is. So here's something a bit different - a taste of the excellent score, that is often overlooked, adds immensely to the enjoyment.

Halloween Movie 1. Dead of Night (1945)

I know it's a bit obvious, but this British classic offering weird tales-within-a-tale seems the obvious place to begin my very personal (i.e. totally unreasonable) survey of things to watch in the run up to the Spookiest Time of the Year. It's great fun and it can be found in its entirety on YouTube . Opinions vary on the different stories, but one thing is obvious - DoN set the template for many later portmanteau horror films from Amicus . The last story, the ventriloquist's dummy, is truly disturbing and leads into the finale with its nightmare twist. Michael Redgrave is brilliant and the sheer violence (bloodless thought it may be) of the denouement is still disturbing. I'm surprised they were allowed to get away with it back in the days of powdered eggs and Mrs Mopp. WARNING: This clip is essentially one humongous spoiler, but I couldn't find a better (i.e. less humongously spoilerish) one.

Halloween Fun at a London Lido

I'm not in London, so I can't go to this. But it looks good. To celebrate the launch of the third Kindle installment of scary stories from another London there will be a night of scary South London songs and stories 29th October Brockwell Park Lido Café 7.30 for an 8pm start. (9.30 finish) Chris Roberts, London Dreamtime and others present: Full Moon Brockwell Lido. Crafty rats, Lido mermaids, the dead boxer of Denmark Hill and other songs and stories from another London. There will be music, surprises and the chance to play a few hands of that popular cemetery focused card game Boneyard Brag. Entry is free and dress code absorbent underwear. See for details nearer time

YouTube world...

If you haven't already noticed the Video Bar over to the right, it leads to the YouTube channel of me, David Longhorn, editor of Supernatural Tales. I wasn't sure if there was any actual point to uploading purely audio files to YT. My original intention was simply to put mp3 files on this blog, but it turned out to be a process more complex than organising a mission to Mars, or very nearly. Why Blogger makes audio stuff hard to promote I don't know, but there it is. You can upload movies easily, but not audio. Anyway, the number of hits on my forty-odd videos (i.e. audios with still slideshows of still photos) is approaching the 2,000 mark, which isn't bad for a channel that started in April and caters to a relatively narrow niche. Of all the things I've posted so far, as of this morning, the most popular ones are as follows:


Huw Langridge, whose story 'Last Train to Tassenmere' appeared in ST#15 some three millennia ago, has a new book out. Spireclaw is a novel about coincidences, a fascinating subject that's formed the basis of a lot of good weird fiction. Here's a bit o' blurb... When Kieran Whyteleafe starts to see little coincidences happening around him he decides to investigate their meaning. The coincidences seem to centre around the word Spireclaw. Why does the word keep appearing in places only meant for Kieran's eyes? Is it connected to the suicide of his old school friend? And what is the significance of the archive boxes that turn up mysteriously at his work? Questions, questions... The book is available to download free as a PDF, as an audiobook, or as a paperback, which seems pretty comprehensive.

Mucky Old Books

If you like filth, you'll love author Helen Grant's blog , where she's been exploring our ancestors' rather interesting attitudes towards witchcraft and related matters. Here latest post concerns the fairly famous Discovery (or Discoverie) of Witchcraft by Reginald Scot (or Scott) . The guy's spelling was all over the place, but he knew a good story when he read one in some other bloke's book: There was (saith he) a noble Gentlewoman at Lions, that being in bed with a lover of hers, suddenly in the night arose up, and lighted a candle: and when she had done, she took a box of ointment, wherewith she annointed her body; and after a few words spoken, she was carried away. Her bed-fellow seeing the order hereof, leapt out of his bed, took the candle in his hand, and sought for the Lady round about the chamber, and in every corner thereof; But though he could not find her, yet did he find her box of ointment; and being desirous to know the vertue thereof, be

For National Poetry Day

The Way Through the Woods by Rudyard Kipling THEY shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few.) You will hear the beat of a horse's feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. But there is no road through the woods.

'October Dreams' by Michael Kelly

A short sample from the latest issue. Music and effects by Tony Tooke , who can be found on Twitter and elsewhere.

Nightfall - an essay by Adam Golaski

No, not here - here it is . Adam writes with great insight about the (to me) obscure Canadian radio drama series that produced some of the best weird fiction to be broadcast in my lifetime. While radio drama virtually died in the USA it survived with the 'BBC ethos' of CBC and as a result Nightfall (and other good series, such as Vanishing Point ) had respectable runs. Adam's essay begins with his own personal response (as a lad) to Nightfall's adaptation of Aickman's 'Ringing the Changes'. He concludes by pondering the series' demise - perhaps they simply ran out of stories, or maybe angry complaints about it being too scary played a part? Whatever the facts, Nightfall remains an anomaly - a Canadian show from the television era that recalls the post-war golden age of American radio drama.


Imagine a really good episode of the X-Files extended to feature length - but Mulder and Scully never turn up. Instead, ordinary people have to cope with an extraordinary menace as best they can. That's it, really, you don't need to know more... Well, all right then. Absentia is an independent horror movie with no big stars, written and directed by one Mike Flanagan - a name to watch. It's a remarkably effective film, not least because - for me at least - it gets to the core of genuine horror. There is precious little on-screen violence here. Almost everything that happens does so in the context of ordinary people trying to live their lives happily, securely, normally - and being thwarted by something so strange and menacing that it can't possibly exist. Except that it does. The film begins with Tricia, a heavily-pregnant woman, replacing old 'Missing' posters on telephone poles. It emerges that Megan's husband Daniel vanished seven years earlier, a