This story bears an epigraph from 'The Oval Portrait', but Laura is very reminiscent of Ligeia and Morella. Peter Bell successfully creates a convincing affair that hints at self-destructive tendencies on Slade's part. The finale delivers the goods, as intellectual playfulness gives way to bizarre - one might say grotesque - discoveries. This is another fine tale from Hauntings, which captures some of the Romantic weirdness of Poe while remaining firmly grounded in English horror tropes, particularly the idea of horror revealed within a sleepy cathedral city.
Another one tomorrow - so far, no duds!
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