Even further back in time we find 'The Clay Party', a group of pioneers setting out for California in the May of 1846. The story is told from several perspectives - the local newspaper, a search party, a loyal husband's journal, a mother's letter to her daughter. Together they make up a memorable addition to the sub-genre of Western survival horror. In a way it holds up a mirror to the previous tale, offering hope of a sort despite the bloodletting and worse that occurs as the Clay Party departs from the Oregon Trail along an ill-conceived 'cutout'.
'No Passage Landward' (from ST 41, Autumn 2019) brings history up to date, so to speak, as the hapless Phoebe explores Anglesey and discovers a grim secret. This is a story that works thanks to the ratchet effect, whereby a character takes a series of small decisions that add up to one big mistake. Strange encounters and a grim medieval legacy contrive to trap Phoebe, despite her good-natured, energetic approach. Far from having a pleasant June excursion, she is forced to see history as something we are all part of, not merely something we can dabble in as a diversion.
So we reach early summer, without an ice cream or a sandcastle in sight. But the next three stories will, I'm sure, offer entertainments of other kinds.
(to be continued)
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