Anyway, both these tales return to themes already explored earlier in The Girl with the Peacock Harp. 'Milosh', which has no supernatural elements, is the simple tale of a Roma/gypsy lad who falls in love with a young woman who plays him false. It's nicely wrought, and it's message that the outcasts are often better people than self-styled civilised folk seems apposite these days.
'Sanity' surprised me a little, in that it seems a little too like 'What Dreams May Come'. Here again we have a woman in contemporary America who imagines that she is a being of great power in another world. There is a twist, but it's a little too predictable for old Buffy fans like myself. Another problem is that the fantasy world where Magda, the protagonist, is a powerful mage made me think of Dungeons and Dragons. So, a bit out of my wheelhouse, I'm afraid.
Never mind. More of my fascinating insights tomorrow!
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