The next story in Lynda E. Rucker's new collection is, for me, a re-read. I first read it last year while staying in a very old building in Rye, once the home town of Henry James and E.F. Benson. Like the previous tale's M.R. James vibe, this one offers an intelligent re-take on classic weird fiction involving women.
A woman moves to a remote house to live with her partner and his sister, an eccentric playwright who is prone to crises. The house is called Carcosa, and the first-person narrator's bedroom wallpaper is indeed yellow. This is an unholy hybrid of elements in The King in Yellow and Charlotte Perkins Gilman's classic feminist tale. Sara, the writer, is creating a play that has the same dangerous, fascinating power as the play in Chambers' stories. The difference is that the narrator is not entirely horrified by the entity that Sara's work apparently conjures up.
This finely-turned tale rewards re-reading, and holds together well. The author handles the quasi-Decadent language superbly in prose that evokes not only Gilman and Chambers, but also Shirley Jackson and Joyce Carole Oats.
'And something wakes in the darkness and wakes in the air and wakes in my bones and we wait for our goddess, our ruler of Carcosa, our charnel queen.'
Subscribe to:
Post Comments (Atom)
LET YOUR HINGED JAW DO THE TALKING by Tom Johnstone (Alchemy Press)
ST 55 features a tale by Brighton's finest purveyor of contemporary horror, Tom Johnstone. And it just so happens that Alchemy Press is...
-
Some good news - Helen Grant's story 'The Sea Change' from ST11 has been nominated for a Bram Stoker Award. This follows an inqu...
-
Go here to purchase this disturbing image of Santa plus some fiction as well. New stories by: Helen Grant Christopher Harman Michael Chis...
-
Thanks to Helen for taking the time to reply to my questions about her life as a writer and her new novel, which sounds fascinating! Lots...
No comments:
Post a Comment