Sunday, 14 July 2019


Due to bereavement I'm putting ST on hold  for now. I'm not sure when things will be back on track. I hope you will bear with me at this difficult time.

Thursday, 4 July 2019

'Wailing Well' on BBC Sounds

Here you can find a new reading of M.R. James' classic tale that he read to the Eton Scout Troop - presumably to scare them witless. No, of course boys enjoy grisly tales, and this is one of his nastiest. It's part of a series on the new BBC Sounds app in a series called Classic Stories, and subtitled Stories for Summer.

Another tale by Monty in the same series is...

'Rats'. No prizes if you said 'Mice'. I think both readings are okay, certainly not old-school fulsome, but perfectly acceptable.  The whole series offers a ton of good stuff, much of it spooky or otherwise weird.

Monday, 1 July 2019

Glorious Victory

Image result for ghost treasure

Steve Duffy won the Readers Poll for ST 40. He pipped Helen Grant by 19 votes to 17 - a close run thing. Congratulations to Steve, and well done to Helen and the other authors. He wins the princely sum of twenty-five British pounds, a sum that will continue to be worth something for several months, in all likelihood.

Friday, 21 June 2019


BBC Radio 4 Extra is currently running a short series of five episodes of the classic Canadian (CBC) series Nightfall. Here is a link to the web page and list of eps.

A lot of people have very fond recollections  of the series, but sadly it was not broadcast in the UK despite being ideal BBC radio fodder. From what I've heard it's very good, and well worth a listen.

Wednesday, 5 June 2019

Don't forget to vote in the reader poll!

Supernatural Tales 40If you still haven't voted in the reader poll for best story in issue 40, go here and click away.

NB - I have decided to end the poll on 30th June, so if you haven't voted yet, vote now. Or soon. You know.

Saturday, 1 June 2019

Ghosts (BBC 2019)

In every generation there must be a silly TV series about the supernatural which does not aspire to be anything other than entertaining. Or at least there ought to be one. Ghosts, which is available on the BBC iPlayer here, is a good example of a comedy that plays with familiar haunted house tropes and pretty much gets it right. It's not scary (because it's a comedy) but it is enjoyable if you put your brain in neutral and simply watch what happens. If you've seen Horrible Histories, it's the same kind of thing only with a slightly more adult slant, hence it's relatively late time slot.

The premise is the time-honoured gimmick whereby a very, very distant relative of a deceased toff inherits a big country house. Alison (Charlotte Ritchie) is the inheritor of the crumbling Button Hall. She and her boyfriend Mike (Kiell Smyth-Bynoe) plan to renovate the hall and turn it into a posh hotel. But Alison has a near-death experience that leaves her able to see ghosts - and the house is full of them.

Sunday, 26 May 2019

Not to Be Taken at Bed-Time & Other Strange Stories - Review

This fairly new volume from the Swan River Press is a very beautiful book. I need to make that clear from the outset - I have never seen a better-looking small press volume (and I've seen a few in my time, missus). The dustcover design by Megan Kehrli, from artwork by Brian Coldrick, is superb, and perfectly suited to the contents. A ghostly apparition is at the centre, surrounded a rather attractive design of roses and a small bird. The art on the inside cover is equally fine, with its ladder placed at an open window and more beautiful foliage around it.

I mention this because Rosa Mulholland's stories are fine examples of Victorian Romantic fiction in both senses of the term. The original meaning of Romantic was dangerous, Gothic, weird, not quite respectable. By the time Mulholland (1841-1921) started writing for Dickens' famous magazine All the Year Round the sharper edges of Romanticism had been dulled a little, but despite her Victorian sensibility the author still manages to convey a sense of strange in her (mostly) ghostly tales. They are also romantic in the familiar sense, in that most concern love - often unrequited or thwarted, but sometimes fulfilled in a heartwarming way after many trials.

Sunday, 12 May 2019

The Devil Commands (1941)

William F. Sloane's second and last novel, The Edge of Running Water, is a neglected classic that could arguably be classed as a Wellsian scientific romance. It has none of the feel of pulp magazine sci-fi/horror, instead offering a fairly sedate narrative with well-rounded characters and a striking central premise. Like Sloane's first book, To Walk the Night, it's a slow-burner with a lot of style, and key scenes stick in the memory.

Thursday, 9 May 2019

'The Detective' by Cardinal Cox

I'm trying to get my reviewing mojo back, and it's not easy. However, one item I'm always pleased to see is a slim, intriguing poetry pamphlet from Cardinal Cox, formerly Poet Laureate of Peterborough.

His latest pamphlet is the twelfth in his retro-futurist series, which intersects with the Gothic, along with sci-fi and general weirdness. As usual, the poems are short, pithy, interesting, and the footnotes are a veritable cornucopia of interesting ideas. So, what's it about?

Wednesday, 1 May 2019

Reader Poll for Issue 40

Best story in ST #40?
'Chambers of the Heart' by Steve Duffy
'Mortimer: The Husband's Story' by Jane Jakeman
'Sargasso' by Laura Lucas
'Inside Out' by Tracy Fahey
'Legends of Claudia' by S.P. Miskowski
'Atmospheric Disturbances' by Helen Grant
'Red Lion Rising' by Mark Valentine
Created with Survey Maker

Monday, 29 April 2019

Where Are the Bones? A Reminder!

Where Are the Bones? & Other Stories by Jacqueline Simpson is still available, and still eminently readable!

Where Are The Bones?

Stories of the strange and supernatural by one of Britain's leading folklore experts.
Contents: "Introduction" by Jacqueline Simpson; "Three Padlocks"; "On Danish Dunes"; "Where are the Bones...?"; "Vampire Viking Queen"; "Dragon Path"; "The Trophy"; "Rowland's Hall"; "Purty Liddle Dears"; "The Game of Bear"; "The Guardian"; "The Pepper-Pot"; "Afterword" by Gail-Nina Anderson; "A Note on Will Stone" by Rosemary Pardoe

Sunday, 21 April 2019

Issue 40 is now available

Supernatural Tales 40

You can buy it online here. Stories by Steve Duffy, Mark Valentine, Tracy Fahey, S.P. Miskowski, Helen Grant, Jane Jakeman, and Laura Lucas. Here are the opening sentences.

It had often been said of Olivia that she trusted too much in the generosity of the men in her life.
'Chambers of the Heart' by Steve Duffy

Jack rolled over and pushed something out of the way.
'Mortimer: The Husband's Story' by Jane Jakeman 
Toby is married to Lana.
'Sargasso' by Laura Lucas 
All through that last, unending winter, she bites her tongue.
'Inside Out' by Tracy Fahey 
If you don’t mind, I find it advisable to schedule activities early in the day.
'Legends of Claudia' by S.P. Miskowski 
It was the flash that woke him.
'Atmospheric Disturbances' by Helen Grant 
When he saw the headline at the newspaper stand he had a brief flicker of unease.
'Red Lion Rising' by Mark Valentine

Wednesday, 17 April 2019

Another Fine Book

As I've written here before (and I won't bore on about it any more) I've been tired and stressed out for a long while now, and not in any condition to give thoughtful, considerate opinions on other people's writing. So I'm not able to posts proper book reviews. At the same time, I was sent some new books after things went pear-shaped, and I should at least draw attention to them. So...

Bending to Earth is a Swan River Press collection of old but little-known 'Strange Stories by Irish women'. I have read most of the stories and can testify that there are well chosen by editors Brian Showers and Maria Giakaniki. Here you will find fairy tales, ghost stories, horror, and much else that is Gothic and, yes, strange. If you go to the link at the start of this para you will see an extract from the introduction,
The present volume is subtitled “Strange Stories by Irish Women”, and its authors populate the better part of the nineteenth century. One might rightfully wonder if such a joined-up tradition can be delineated, and if the tales in this anthology constitute part of a literary continuum. In his essay on Irish literature for Supernatural Literature of the World (2005), Peter Tremayne makes the helpful observation that “Practically every Irish writer has, at some time, explored the genre for the supernatural is part of Irish culture.” Indeed, one would be hard-pressed to find an Irish author who did not, at some point, include elements of the fantastic in their work — be it supernatural, folkloric, surrealist, or something else. Naturally, this makes broad declarations a particularly challenging endeavour.
I think that Showers and Giakaniki have done a splendid job of collecting such a wide range of tales, and anyone who likes weird fiction will find a lot to entertain them here.

Saturday, 13 April 2019

This Looks Good...

Dust-Jacket art by Paul Lowe

Sarob Press is publishing Their Dark & Secret Alchemy, an anthology of three novellas/novelettes by Richard Gavin, Colin Insole, and Damian Murphy.
... Secret things, furtive silent rituals, and the revealing of darker truths.
... A strange inheritance, a terrible tragedy, and the return of a sinister and ancient terror.
... Arcane ceremonies, the search for esoteric knowledge, and a sacramental descent into the depths.
 I expect it will sell out very quickly - all Sarob titles do.

Thursday, 11 April 2019

Ghost on Lake Como

Castle of Vezio ghost Varenna Lake Como

This is a wonderful wooden sculpture of a ghost at the Castle of Vezio. Check it out here. Nice to see spooks getting out in the fresh air, enjoying the sunshine. All s/he needs now is a nice bowl of pasta and some decent wine.

Tuesday, 9 April 2019

Pet Sematary (2019) - Final Trailer - Paramount Pictures

Censored Rod Serling

Rod Serling's decision to make The Twilight Zone was influenced by the fact that his attempts to tackle controversial issues in realistic drama were thwarted. An interesting article, here. Serling wrote a radio drama based on the notorious lynching of Emmett Till, but commercial sponsors - the effective censors of network TV in the Fifties - vetoed it.
Soon after the trial concluded, Serling, riding off the success of his most well-received teleplay to date, felt compelled write a teleplay around the racism that led to Till’s murder. But the censorship that followed by advertisers and networks, fearful of blowback from white, Southern audiences, forced Serling to rethink his approach. His response, ultimately, was “The Twilight Zone,” the iconic anthology series that spoke truth to the era’s social ills and tackled themes of prejudice, bigotry, nuclear fears, war, among so many others.
With Jordan Peele's relaunched TZ in the offing, it's an interesting read.

Friday, 5 April 2019

Resonance & Revolt - Review

Eibonvale Press - Resonance and Revolt by Rosanne Rabinowitz

On the 30th October last year I received a request to review a new collection that was emailed to me as a pdf. I said yes, of course, happy at the prospect of reading stories by a writer new to me. Then, a few days later, my 82 year-old father fell seriously ill, and this set off a chain reaction of problems that culminated in his leg being amputated a couple of weeks ago. During the last four months I've had precious little time for reading, and things are not set to change any time soon. So I must apologise profusely to Rosanne and write a partial review, giving my opinion only on the stories I've managed to read. Sorry.

Rosanne Rabinowitz is one of the rising stars of British fantasy/science fiction/genre spanning stuff, and this remarkable themed collection shows why. Resonance & Revolt explores history history in a way that only a well-informed writer can. The author also offers convincing glimpses of possible futures. The theme is always rebellion, in some sense, but there is nothing repetitive about the way Rabinowitz explores what is to be oppressed, to be free, to be human. As Lynda E. Rucker notes in her introduction, the tales offer 'a cyclical sense of the ebb and flow of power and tyranny and resistance'. Heavy stuff, you may think - but these stories are fun to read, as playful and intelligent as anything you will find elsewhere.

The first story, 'In the Pines', is a novelette set in the US in three different historical periods, all linked by the eponymous folk song. Part 1, 'The Longest Train', reminded me of watching 'Casey Jones' on TV as a sprog, as it concerns the wonderful folklore of American railroads. In 1875 in rural Georgia woman grieves for Sam, killed driving a goods train to Tennessee. 'Your head was in the driving wheel, your body was never found.'

Part 2 is 'Jersey Devil', set in New Jersey in 1973. A young woman attends a rock concert in the Vietnam/Watergate era, and hears 'The Longest Train' sung. Linda also learns a harsh lesson about youthful infatuation, and retreats into the woods. There she encounters the actual Jersey Devil (not the spurious, if interesting, one from The X-Files) and discovers that sometimes a monster is easier to deal with than supposedly cool people.

Part 3, 'High Lonesome Frequency', is set in Cornwall in 2015. A famous scientist is interviewed by a middle-aged reporter - it is Linda from the previous chapter. Experiments in music lead to time travel, of a kind, and we discover the Jersey Devil's taste in snack food. There is, perhaps, a nod to Lovecraft's 'From Beyond' in the idea that music can re-tune the mind to experience other realities overlapping with our own.

Tuesday, 2 April 2019

The Birth of the Modern Ghost Story - Article

Nice piece at CrimeReads by Leslie S. Klinger and Lisa Morton. They rightly point to the link between the emergence of Spiritualism in the late 19th century and the rise in the popularity of fictional ghosts. While they cover familiar ground for fans of the genre, it's always good to see the 'right stuff' laid out in the one place like this.
Just as wealthy Victorians on both sides of the Atlantic were flocking to séances in hopes of seeing a table levitate or hearing a dead loved one miraculously channeled by an attractive young medium, so at home they consumed ghost stories in the pages of the magazines that had become popular thanks to new printing technologies.
Klinger and Morton have edited an anthology, and claim that they have collected 'ghost stories that have been overlooked by contemporary readers'. I would say that rather depends on the readers in question, as most of the stories are well-known to me. But it's a handsome volume and might well be a valuable primer for someone new to the ghost story and wondering just where it all started.

Wednesday, 27 March 2019

As if you needed reminding... Unless of course you did

Where Are The Bones?Stories of the strange and supernatural by one of Britain's leading folklore experts

Contents: "Introduction" by Jacqueline Simpson; "Three Padlocks"; "On Danish Dunes"; "Where are the Bones...?"; "Vampire Viking Queen"; "Dragon Path"; "The Trophy"; "Rowland's Hall"; "Purty Liddle Dears"; "The Game of Bear"; "The Guardian"; "The Pepper-Pot"; "Afterword" by Gail-Nina Anderson; "A Note on Will Stone" by Rosemary Pardoe

Tuesday, 26 March 2019

Lovecraft Country

An interesting article about a new, radical approach to horror/fantasy that's informing a HBO series.
Atticus Turner, one of Lovecraft Country’s central heroes, is a young, science fiction-loving black veteran recently back from time in the Korean War. He soon realizes that his service to his country doesn’t actually mean all that much back home because of the color of his skin. While Atticus’ family and friends love him dearly, the racist micro and macro-aggressions he faces on a daily basis are a constant reminder of what it means to be black in America. Racism is a demon all of Lovecraft Country’s characters must face, but they there are also actual demons out there in the world they cross paths with, and its when these literal and metaphorical evils intersect that Lovecraft Country begins to really shine.
The series is an adaptation of a novel by Matt Ruff, which comes highly recommended by Neil Gaiman. And the show is being co-produced by Jordan Peele, and sci-fi blockbuster king J.J. Abrams. So it's big news, and a promising development.

Sunday, 17 March 2019

Thursday, 14 March 2019

Mister Peele, You're Needed

My title is for old folk who watched old British telly, that is all. The important point is that Jordan Peele, writer-director of the excellent Get Out, has a new horror movie on the way. And according to this article, he's 'one of us', someone with a genuine feel for horror, a love of the genre. 
Get Out is existentially terrifying; Us is spill-your-soda scary. It’s the tale of a family facing off with unsettling doppelgängers of themselves, which Peele calls the Tethered — he means them to be a “monster mythology,” in keeping with Universal’s Frankenstein/Dracula/Wolfman tradition. He’s taking some mischievous pleasure at the prospect of freaking out some of Get Out’s more genteel fans.

Monday, 11 March 2019

Tom Johnstone - Book Launch!

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ST contributor Tom Johnstone has a new novella coming out this week, and if you're in or near Brighton you could be part of the launch.

Tom writes:

'My debut novella has just come out from Omnium Gatherum Books. Entitled The Monsters are Due in Madison Square Garden, it's been described as 'a noir narrative rich with history and atmosphere, steeped in cinema and the dark genres' by Rosanne Rabinowitz. Come and join me downstairs at Bom Banes for a drink and some readings to celebrate its publication. There'll be copies of the novella and other publications for sale. See you there!

The event begins at 7pm on Wednesday!

Thursday, 7 March 2019

Art and Monty James

An excellent item here looks at some of the early illustrations provided for M.R. James' stories. As the author remarks:
The effectiveness of M.R. James’ghost stories owes much to the author’s ability to create sensations of physical unease in the reader, particularly through the sense of touch. He never relies on merely visual effects, such as the sight of a grisly spectre or the shock of recognising a dead ancestor. Many of his stories were, of course, written in order to be read aloud rather on the printed page. One might therefore question the purpose of illustrations for his stories; can they enhance the reading experience, or might they prevent the text from guiding the reader’s imagination in the way that James intended? 
In the end, though, illustrations were seen as necessary to short stories in magazines and indeed books. So here we find young Stephen asking Mrs Bunch a significant question in 'Lost Hearts'.


Wednesday, 6 March 2019


Where Are The Bones?

Just your regular reminder that Jacqueline Simpson's fine collection is available to order, print-on-demand, from the Lulu website. Go here to order it.

Contents: "Introduction" by Jacqueline Simpson; "Three Padlocks"; "On Danish Dunes"; "Where are the Bones...?"; "Vampire Viking Queen"; "Dragon Path"; "The Trophy"; "Rowland's Hall"; "Purty Liddle Dears"; "The Game of Bear"; "The Guardian"; "The Pepper-Pot"; "Afterword" by Gail-Nina Anderson; "A Note on Will Stone" by Rosemary Pardoe.

Tuesday, 5 March 2019

Russian Doll (Netflix 2019)

One of the best TV series of recent years, arguably the Buffy for the Trump era, Russian Doll is about choices, loneliness, and exploring what it is to be human. Sort of. To be honest, I'm not entirely sure, but I do know that this comedy-drama manages to achieve a great deal in eight short episodes. For a start, it's very funny. It is also strange, falling into the general realm of the weird, fantastic, and to some extent the Gothic. While not exactly supernatural in the familiar sense, it hints strongly that there may be some higher purpose to what happens.

The story begins with Nadia Vulvokov's thirty-sixth birthday party. Nadia is in the bathroom, looking into the mirror. Someone is knocking at the door. Nadia goes out and greets various guests, and then her friend Max, whose is actually throwing the party for Nadia in her New York apartment. Max gives Nadia a joint laced with cocaine. Later, after making some questionable choices, Nadia is hit by a taxi, dies, and finds herself back in Max's bathroom. Someone is knocking at the door. Her life has been reset.

Natasha Lyonne's Nadia drinks, smokes, swears (a lot), takes illegal drugs, and is extremely funny. A very intelligent game designer, she seems to need no one in her life, other than her cat, Oatmeal. When we meet Nadia, Oatmeal has been missing for a few days. Cats have significance in quantum theory, and this is underlined in the first episode when Nadia finds Oatmeal only to have him literally vanish from her arms.

Monday, 4 March 2019

Hugh Lamb

I was sorry to hear that Hugh Lamb has passed away. He was one of the leading anthologists of ghost stories and related fiction for many years. You can read a lot more about him here, and buy some of the books he edited. There is also a moving tribute by his son Richard.

At a time when it was not easy to obtain ghost stories outside a few much-reprinted classics, Hugh Lamb sought out lesser-known tales of quality. He helped revive interest in the macabre tales of E. Nesbit and Jerome K. Jerome, and also brought almost forgotten authors like Barry Pain and Bernard Capes to readers like me.
Using the inter-library loan service and the Joint-Fiction Reserve of London libraries, Hugh had accumulated an impressive collection of tales. In fact, this turned out to be an inspired method for searching old editions and unearthing rare treasures ripe for republishing. He estimates that around 5,000 books crossed his path this way.
That's dedication.

In the Dark: Tales of Terror by E. Nesbit (Collins Chillers) by [Nesbit, E.]

Saturday, 2 March 2019

Ngram Fun

I've been playing with this Google thingy that lets you graph the number of mentions of particular words/names/terms in books published in a given period. As you can see from the above, it lets you compare the relative fame of writers. Good showing from Monty after a slow start, I think. It takes a bit of mastering, but once you've got the hang of it you can muck about for ages. Here's a bit o' crime fiction.

A battle between some favourite fictional characters, now...

Thursday, 28 February 2019

ST Kindle Editions - Still Compellingly Cheap!

Supernatural Tales 39: Winter 2018/19 by [Longhorn, David , Nelkin, Carrie Vaccaro, Davis, Danielle, Clark, Chloe N. , Parker, Rosalie, Shepherd, Eloise C. C., Karmazin, Margaret ]

I mean, seriously, ST is just over a quid, English money

That's quite reasonable, especially for a magazine that includes a story that has been selected by Ellen Datlow for inclusion in her famed Year's Best anthology. I'm talking about 'A Tiny Mirror' by Eloise C.C. Shepherd.

Why not give it a try? You have surprisingly little to lose...

Wednesday, 27 February 2019

Weekly Bone Blast

Where Are The Bones?

Just your regular reminder that Jacqueline Simpson's fine collection is available to order, print-on-demand, from the Lulu website. Go here to order it.
Contents: "Introduction" by Jacqueline Simpson; "Three Padlocks"; "On Danish Dunes"; "Where are the Bones...?"; "Vampire Viking Queen"; "Dragon Path"; "The Trophy"; "Rowland's Hall"; "Purty Liddle Dears"; "The Game of Bear"; "The Guardian"; "The Pepper-Pot"; "Afterword" by Gail-Nina Anderson; "A Note on Will Stone" by Rosemary Pardoe.

Get Out (2017)

While not strictly a supernatural horror tale, Get Out has so many of the ingredients of the old-school Gothic horror film that I'm sure it will appeal to ST's target demographic thingy. Written and directed by US comedy star Jordan Peele, the film is a tale that blends America's long-standing racial inequalities with some mad science, to very powerful (and often funny) effect. The opening sequence, with a black man violently abducted by a helmeted figure in a leafy suburb, only hints at the wackiness to come.

Sunday, 24 February 2019

'Under the Greenwood Tree' by Cardinal Cox

Another poetry pamphlet has come winging its way from exotic Peterborough. In his covering letter the poet has added the comment 'Might not be of interest'. I take the point, that this small collection of poems is about a fictionalized Druidic tradition in the 'quasi-history of American Renaissance faires'.

Well, it is interesting, though the title is a mite confusing, as Thomas Hardy used it for his second published novel. Never mind. We begin with ancient Celtic saints in 'The Martyrdom of Saint Pyr', weaving together different traditions to suggest how druids might have survived by become hermetic herbalists and the like. We move on to May Day dances and the busking tradition, another way for old knowledge to survive in apparently harmless forms. Elsewhere, Green Men carved into churches point to strange, visionary experiences - 'chewed leaves to let prophecies flow'.

One of the great pleasures of these poetry pamphlets is that they are rich in ideas. As usual there are fascinating footnotes to the poems, offering a series of insights and connections that connect mythical figures - Arthur, Robin Hood, Prince Madoc - with real historical events. Tom Lock I had not heard of, nor the Greek buried around 110 BC in what would become East Anglia, a 'Spartan spy among savages'.

While not supernatural tales, these poems open windows into the beliefs from which much folklore - and therefore folk horror - is formed. If you'd like to rest 'Under the Greenwood Tree', so to speak, you can get a copy by sending a SAE to:

58 Pennington
Orton Goldhay

Wednesday, 20 February 2019

Best Horror of the Year!

Supernatural Tales 39From Ellen Datlow on Facebook, I find that 'A Tiny Mirror' by Eloise C.C. Shepherd has made it to the most prestigious anthology of them all. So that's great news for the author, and rather spiffing for ST.

The book will be published by Nightshade Press in September.

Well done, Elly! Here is a link to the author's website.

If you want to read the story that so impressed Ellen, ST#39 can be bought in printed or digital form.

Image may contain: text

Tuesday, 19 February 2019

Undertow Publications

Just a quick mention for the excellent Undertow Publications, who have moved to a shiny new website. Along with a move to a more secure web location, UP is also launching a new range of 'contemporary classics' in very posh, deluxe hardcovers. The first two authors in the series are no strangers to the pages of ST, I'm glad to say...

Moon Mock.jpg

NIE-lo res.jpg

Monday, 18 February 2019

The Conception of Terror: Tales Inspired by M.R. James - Vol. 1

The Conception of Terror: Tales Inspired by M. R. James - Volume 1 cover art

That's quite a title, isn't it? I must admit it threw me a bit, but I suppose it gets the job done. The point is that here we have Audible, a division of Amazon, muscling in on what was pretty much BBC Radio 4 territory with adaptations of stories by Monty James. I've downloaded and listened to the four audio dramas on my Kindle Fire (I'm not getting paid for all this product placement), and here's my take on this interesting development.

First up, you have four stories here, and the selection is itself interesting. First up, 'Casting the Runes' - well, no surprise there, it's a cracking idea and has been made into a film and a TV drama. Second is 'Lost Hearts', another well-known and much-anthologised work, and of course one of the classic BBC TV adaptations from the Seventies. Third is 'The Treasure of Abbot-Thomas' (yes, the hyphen is correct), for me one of the lesser tales, but again quite popular with readers. Fourth is 'A View from a Hill', which was adapted for television a few years ago but is not so widely admired as the other three, if polling by Ghosts & Scholars readers is to be believed.

Where are the Bones?

Where Are The Bones?

Here are the bones! This excellent book of M.R. Jamesian/folk horror tales is available to purchase online. Anyone who enjoys traditional ghost stories will find much to enjoy here. The contents are:

Saturday, 16 February 2019

Gatiss and Moffatt and Stoker

Well, a new BBC version of Dracula is happening, and it's a co-production with Netflix, thus moving the Count's antics into the groovy realms of webcasting. Stephen Moffatt and Mark Gatiss are at the helm, so at least we know they guys in charge have read the book and seen most (maybe all) previous adaptations. Dracula will be played by Claes Bang, who certainly looks right.

Image result for claes bang

It's suggested in the article linked above that Gatiss himself might be playing Renfield, which sounds delightful. Most of the cast are new to me, which is a good thing, too. Stoker's characters are mostly young folk, after all - consider the amount of running about they have to do. But who will play Van Helsing? I'm inclined to agree with the Radio Times here, and wonder if a big-name actor is going to be announced later.

We can but wait and wonder. Will there be a whole lot of very dodgy blood transfusions? Will Dracula be able to function (albeit on reduced power) by daylight? Will the Brides be very naughty indeed? These and other questions will etcetera. But I think we can state with confidence that this adaptation will be more canonical than most.

Thursday, 14 February 2019

Tuesday, 12 February 2019

Yet More Monty!

Are we seeing a revival of interest in M.R. James among media folk? I've no idea, but it's interesting that the Amazon company Audible,  which produces audiobooks, is producing new 'radio drama' dramatisations of tales by Monty. (The link is to a Doctor Who fan site because there's a bit of crossover re: actors and writers.) It all looks very promising.

Here are some more details.
Casting the Runes. 
Adapted by Stephen Gallagher. When academic Jo Harrington (Anna Maxwell Martin) is sent a paper – The Truth of Alchemy, by Anton Karswell – for peer review, she pulls no punches. It has no place in a serious academic publication, and Karswell is a half-bright fool. However, when the editor writes a rejection note to Karswell, he inadvertently includes her entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism. On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: ‘In memory of Joanne Harrington, M.Litt, PhD, died September eighteenth, three days were allowed.’ Is there anything that Edward can do to save Jo from this curse?
Lost Hearts 
Adapted by A. K. Benedict. Teenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr Abney (Jeff Rawle). He tells her that Mr Abney is a good man: he even took in a child refugee last year, but she ran away and stole from him. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House. 
The Treasure of Abbot-Thomas
Adapted by Jonathan Barnes. When former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. He has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt: much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumours that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it. 
A View from a Hill 
Adapted by Mark Morris. Comedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. Whilst out walking they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no-one there. Later that night she listens back to the recording and hears a child’s voice whisper, ‘Mummy.’ Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.
I think it's fair to say that some of these adaptations play fast and loose with the original stories. But if you update something, make a proper job of it, say I. The recent podcast version of The Case of Charles Dexter Ward by the BBC is a case in point - the central idea remains intact, and it works well. 

Saturday, 2 February 2019

Dr. Jacqueline Simpson in Iceland

Yes, the author of the splendid stories in Where Are the Bones (see previous post) went to Iceland and talked about The Folklore of Discworld, which she co-authored with the late Sir Terry Pratchett. Suffice to say that in the process of a long interview/discussion she tackles a lot of subjects (and gets a lot of laughs).

Friday, 1 February 2019

Where Are the Bones?

I'm delighted to announce the appearance of a new collection of supernatural fiction by an excellent author. Rosemary Pardoe's renowned Haunted Library has joined forces with Supernatural Tales to produce this collection of stories by leading folklore expert Jacqueline Simpson. You can buy the book online via Lulu here, using the same print-on-demand system as for ST. 

Where Are The Bones?

This volume contains all of Jacqueline's tales that first appeared in ST or Ghosts & Scholars, plus some extras. Needless to say, it's a cracking read and well worth getting your hands on. Many of these stories concern the M.R. James circle, particularly the three featuring Monty's friend and travelling companion Will Stone. But there is also a Lovecraftian story of cosmic shenanigans, and one aimed at fans of a long-running television series. There is a learned afterword by Dr. Gail-Nina Anderson, plus introduction and notes by the editor. Here are the contents:

"Introduction" by Jacqueline Simpson

The Will Stone Stories
"Three Padlocks" 
"On Danish Dunes" 
"Where are the Bones...?"
"Vampire Viking Queen"

"Dragon Path"

"The Trophy"

"Rowland's Hall"

"Purty Liddle Dears"

"The Game of Bear"

"The Guardian

"The Pepper-Pot"

"Afterword" by Gail-Nina Anderson"

"A Note on Will Stone" by Rosemary Pardoe

Monday, 28 January 2019

By No Mortal Hand (Sarob Press, 2018)

This collection of stories by Daniel McGahey is a fine example of Jamesian ghostly fiction. By No Mortal Hand - the very title has a nice, old-school ring to it. Several of these stories first appeared in Ghosts & Scholars, which is always a mark of quality. Fans of M.R. James and the 'James Gang' of linked authors will find a lot to enjoy here.

And check out the lovely dust-jacket art! Splendid stuff by Paul Lowe, who captures the stained glass weirdness of the antiquarian spook genre perfectly.

Three stories are prequels/sequels to stories by Monty himself. The title story looks at the aftermath of the strange affair at Castringham, and what might have occurred if others had gone poking about Mrs Mothersole's last resting place - wherever that may be. 'Ex Libris, Lufford', concerns a notebook that once belonged to a certain rune-casting gentleman. Then there's 'If You Don't Come to Me, I'll Come to You', which fills in some background on a certain private school teacher.

Sunday, 27 January 2019

Westall Books from Valancourt

If you go here you will find the Robert Westall author page at Valancourt's site. The books include Antique Dust, The Stones of Muncaster Cathedral, and Spectral Shadows. All are well worth a look, reasonably priced paperbacks by an author whose work is now, sadly, often out of print.

PictureAntique Dust is a series of linked stories told by an antique dealer, and are thoroughly satisfying for anyone who loves the traditional ghost story. Among other things, you can find 'a sinister Georgian clock carved with obscene and Satanic designs, a hideous doll with deadly powers, a pair of old spectacles that let their wearer see a little too clearly, an ugly house with a terrifying secret, a church full of graffiti scrawled in decomposing human flesh'.

The Stones of Muncaster Cathedral is about a steeplejack repairing  the eponymous building, only to discover that 'he is unprepared for the horror he will encounter. Something unspeakably evil in the medieval tower is seeking victims among the young neighborhood boys ... and Joe’s son may be next! An unsettling story with a horrifying conclusion, this eerie tale will chill young and old readers alike.'

Spectral Shadows contains three novellas, including 'Blackham's Wimpey' (see previous post), 'The Wheatstone Pond', and 'Yaxley's Cat'.

Saturday, 26 January 2019

Hayao Miyazaki and Robert Westall

I have been doing a little online research into the life and works of Robert Westall, one of the most successful and accomplished ghost story writers (in English, anyway) of the late 20th century. Imagine my surprise when I found a link to the founder of Japan's famous Studio Ghibli. Miyazaki, often considered to be on the truly great creative minds of our time, was a huge Westall fan. So much so, in fact, that he wrote a manga (Japanese comic for adults), about Westall's stories and his own response to them.

Entitled A Trip to Tynemouth. the manga was obviously inspired by 'Blackham's Wimpy', a World War 2  ghost story from the collection Break of Dark. You can see an entry on the Ghibli blog here, which shows some pages from this remarkable work. Here is an extract from the blog.
Miyazaki discovered in 1990 a short story by the British author Robert Westall “Blackham’s Wimpy” when it was reprinted in Japanese. He was already familiar with Westall’s work but upon reading found that this story was about the war, and more importantly airplanes! Miyazaki loved the book and in 2006 he chose it as the basis for his latest manga novel (...) 
In the manga Miyazaki, drawn as a pig, visits Tynemouth in an attempt to meet Robert Westall, drawn as a terrier, and gets to have a conversation with him over a pint of beer and a walk along Tynemouth Longstands beach.
All rather wonderful. And proof, I think, that the British ghost story tradition has a wider influence than one might expect.


'Carmilla' by J. Sheridan Le Fanu - from Nightfall

Thursday, 24 January 2019

Towards the Rising Sun

Every day brings a new lesson for the truth-seeker. Or, put another way, I had no idea that graves traditionally faced east. But someone in Kildare in Ireland does, and is not happy that a new graveyard  planned by his council is going to point south instead.
It is customary in numerous religions and most Christian denominations that graves are aligned towards the sun. 
Local man Eamon Broughan said he always believed that this should be the case, but in the new graveyard that is being prepared by Kildare County Council at present the graves will face south, he claims. 
He said he met with officials at Kildare County Council who said that they would be sensitive to his concerns and would make arrangements for him to make sure he faced east, if he wished.
The story goes on to say that, in fact, the Catholic Church has no rule on which direction graves should face. It's a matter of custom, not Canon Law, apparently. I must have visited hundreds of graveyards, often in the company of very erudite people. But not once have I heard about this business of orientation (literally facing east). 

Tuesday, 22 January 2019

The Slightly Chilling Adventures of Mr. Batchel

I've been re-reading E.G. Swain's The Stoneground Ghost Tales, which are very pleasant and diverting when you spend a lot of time on Metro trains in the Tyne-Wear area. You can, however, read them while not in motion. The point is that they are a collection of M.R. Jamesian ghost stories that, in some ways, come closest to emulating Monty. This is not surprising, as Swain was present when some of those classics were first read aloud to the Chitchat Society.

Image result for e.g. swain

Swain's Mr. Batchel, vicar of Stoneground in East Anglia, is a fairly Jamesian figure. A bachelor, clergyman, and antiquarian, Batchel is constantly encountering supernatural phenomena in his parish. Stylistically, Swain is not unlike James, though his prose is less spiky in its humour - as a rule his character studies are kindly. The main difference between James and Swain is essentially that the latter is milder in his approach to horror, where there is horror at all.

Monday, 21 January 2019

'The Lost Gonfalon'

Image result for venetian flag

Rounding off the excellent collection Inner Europe is Mark Valentine's tale of Venice preserved, in a way. Seymour, a scholarly gentleman, journeys through the old Venetian colonies of the Adriatic just before the First World War. In one small port he finds echoes of the great republic in dialect and in other, odder respects. Mr Seymour is greeted by local dignitaries as 'the English Consul', and is confused by table talk of far colonies in Asia. It is a kind of waking dream - or perhaps a vision of how things should have been?

This is a kind of parallel universe/alternate history story, complete with an Anglo-Venetian alliance, forged between Doges and Stuart kings. It is tricky to get this kind of thing right, but I think here the author succeeds in offering a fascinating glimpse of how Europe might have been. Mercantile and colonial, yes, but perhaps not so ruthless and mechanised. It is an appropriate ending for a book that celebrates Europe's glories but also laments its failings and disasters.

Inner Europe is a remarkable achievement, straddling genres to offer the reader strange, moving, and always entertaining tales.

Saturday, 19 January 2019


John Howard's last story in Inner Europe is set in the early years of Weimar, when Germany had become a model democracy.

The protagonist is an East Prussian aristocrat faced with selling his family estates. Not only has he lost his ancient birthright, his wife and child died in the Spanish Flue epidemic. The Count Philip von Stern is a sympathetic character, a civilised and kindly man who hopes that Germany's future will be secure and prosperous. But, as the title hints, we are on the threshold of something very different. And central to this idea is a focus on money, more specifically coinage.

Image result for weimar currency 1923

As a boy the count did magic tricks with coins - the heavy gold ones of the old regime. The new currency consists of notes and lightweight coins. We know that soon the Weimar mark will be hit by hyperinflation and people will be taking their wages home in wheelbarrows. The count's rediscovery of his conjuring skills, then his awareness that he is capable of something more than sleight of hand, suggests that something mysterious but vital was lost in the fall of the old order.

This is a sad, elegiac tale of people caught in the turbulence of history, and the way in which they cling to memory, love, and even less definable things. It reminded me slightly of W.G. Sebald's book The Rings of Saturn, which also looks at the decayed, forgotten resorts and estates of the old Europe.

One more story to go.

Thursday, 17 January 2019

Still time to vote for your favourite stories in issue 39!

You can go here to vote in the great Make An Author Feel Valued poll.

If you haven't read ST #39, why not give it a try? It's full of stories, which is probably something you're in favour of, given that you're reading this blog.

Go to the Buy Supernatural Tales page, click on the link and purchase a copy. You know it makes sense.

Wednesday, 16 January 2019

Arthur Machen BBC Interview (22/3/1937)

Kids today, eh?

Image may contain: text

'The Dragons of Medea'

Image result for georgian stamp 1920We return to Inner Europe with a Mark Valentine tale that, again, has a distinct flavour of Borges and Chesterton, though I should add that Machen is also present and correct - to some extent provides the literary air that the author breathes.

A postmaster in the Georgian capital, Tblisi, creates small books and posts them to various destinations around the world. He contrives to ensure that his books - all handmade - will be returned to him as undeliverable. Thus he feels he has travelled the globe by proxy, becoming a cosmopolitan while never leaving his homeland. He is practising a kind of magic.

As the narrator explains, Georgia is the former Colchis, land of myth. As well as the Golden Fleece, it was the home of the sorceress Medea. Her ability to ride through the heavens on golden dragons becomes central to the tale of this unassuming yet remarkable man. Following what he half-whismically sees as traces of these dragons the postmaster finds a kind of tavern where remarkable people eat, drink, converse. They are, to some extent, cultural archetypes of Georgia, the living embodiment of what is good and distinctive about the nation.

Why has the modest, rather lonely man been brought here? We discover the truth, as does he, when he takes a second look at a sign outside the mysterious establishment. The most trivial activity can turn out to have profound significance, it seems.

We are well past the halfway mark, now. Whither Europe, inner or otherwise? I can only speculate.

Monday, 14 January 2019

'Sun Voyager'

Image result for icelandic sculpture sun voyager

We're in modern Iceland for this John Howard Inner Europe story. That weird thing pictured above is the eponymous sculpture, which forms the focus of this tale.

The story is told from the perspective of an Icelandic gallery curator who encounters one of many English visitors to Rekjavik. However, the Englishman is unusual in that he is not a tourist, and is stricken with poverty. He is in fact one of the many who lost big in the 2008 crash, which was of course in part down to amoral antics by Icelandic banks. The Englishman is seeking some kind of catharsis, and of the many sculptures around the capital, Sun Voyager is the one that somehow continues to draw him to it. This is despite the thing's far from welcoming appearance.

Behind the work of art is a tale - the legend that the Icelandic people followed the sun from Asia around the world until they arrived on their volcanic island. The Englishman in the story finds a home, too, in his way. His mysterious end is somehow bound up with the collective failure of a culture, not merely that of Iceland but of the West, epitomised by the greed and cynicism that led to the financial crash.

I'm learning a lot from this anthology, which adds to the enjoyment. More from this running review very soon, I hope.

Sunday, 13 January 2019

'The Antinomy of Zeno'

No, not Zeno's Paradox, disproving the possibility of motion. This Zeno was a Byzantine emperor who lost big time at backgammon and later lost an empire. The antinomy of Zeno is, therefore, a superlatively lucky throw of the dice, an unparalleled stroke of fortune. 

Image result for emperor zeno backgammon

This story from Inner Europe concerns Thessarion, a writer in an unnamed Balkan city under an intolerant, 'modernising' regime. Thessarion decides to record his impressions of the quirky, interesting individuals of the city's old quarter while it, and they, still exist.

In a series of episodes he received mysterious tokens from marginalised figures - an old man who plays chess on a circular board, a singer with beautiful voice whose records have been smashed by bigots, a renegade priest who claims an extraordinary status. At the end the writer frees a remarkable young man from prison thanks to his 'research', and a new cycle of history begins - perhaps.

This is a mystifying tale - the shadow of Borges seems to lie across it, and perhaps that of Chesterton. I learned a lot from it, while not really understanding it. That happens a lot these days, but I don't mind. More of my reactions to this intriguing anthology soon.

Thursday, 10 January 2019

The Devil Rides Out (1968)

Actually, the Angel of Death rides in, but let's not be too picky. This old Hammer classic, which I watched recently for the first time in many years, is great fun. When I was a kid it was one of those films that you badgered your parents to let you stay up and watch. It seems as far from today's standard horror flick as Mercury is from Neptune,

The film begins with a biplane landing near a yellow Rolls Royce, so we are presumably in The Past, among Posh People. Sure enough, the Duke de Richleau (Christopher Lee) is at the aerodrome somewhere near London to greet old pal Rex (the not-very-exciting Leon Greene). It emerges that a son of an old pal, now deceased, has gotten into bad company. Simon Aron, played by Patrick Mower(!) has fallen in with a coven. And so Richard Matheson's adaptation of Dennis Wheatley's novel sets off on an odyssey of Satanism, religiosity, a bit of romance, and a vintage car chase.

The between-the-wars feel is well done and the villain, Mocata, extremely well-played by Charles Gray. Lee takes the job seriously, clearly relishing Cushingesque role of a goodie with occult knowledge. Few Hammer films look this good, scoring at least 9/10 on the Poirot scale for period feel. The dialogue, despite being heavy with exposition, never strays into the ludicrous, and the performances are generally good to excellent.

Any flaws are really those of Wheatley's plot - such as the appearance of 'the devil himself' well before the movie's climax, and the shift of emphasis to human sacrifice. Some scenes seem a bit tacked-on. But the faults are outweighed by the virtues of a full-blooded, old-school Good v. Evil conflict that is as well-realised as any in horror cinema.

In a sad coda, the success of this one led Hammer to film Wheatley's To The Devil A Daughter, a failure that more or less scuppered the studio. Some evils can't be dispelled with a dash of holy water, and that goes double for bad movies.

Wednesday, 9 January 2019

'Orient Imperial'

Royal Train Driver : News PhotoIn this story from Inner Europe John Howard lightens the mood a little. Again, the setting is between the wars, and there's a distinct whiff of Hercule Poirot about some aspects of the tale - only this mystery is not a crime to be solved, but something more elusive.

We find ourselves in the company of J. Garrick Soames, a British travel writer. He takes the Orient Express to Sofia, where he is privileged to interview the King (or Tsar, more properly) of Bulgaria. Boris III was unusually able ruler by the standards of Balkan royalty and, at least at first,  succeeded in keeping his country relatively free and tolerant. The rise of the Third Reich led to a German alliance that was, at first, almost entirely symbolic. Boris opposed anti-Jewish measures, refused to send troops to fight the USSR, and it is widely believed he was murdered by Nazi agents.

Grim stuff indeed. But it is a different aspect of his life that Howard explores. Boris III was a railway enthusiast and, as King/Tsar, could play with the biggest train set possible. At once point the writer sees a strange vision of Boris as, by turns, a decent working man, a nondescript failure, and an idealised monarch. Boris is at once all of these things, and none of them. He is a both ruler and victim.

The train driver - in complete charge, but in practice constrained by rails to a very limited route - sums up the monarch's predicament. 'Is anyone, ever, really in control?' asks Soames. I doubt it.

More on this dual-author collection very soon.

Tuesday, 8 January 2019

'The Concession'

In this Mark Valentine story from Inner Europe we are once more amid the ruins of the Hapsburg Empire. This time we see it from a most unusual perspective - the former Consul-General of the Austro-Hungarian enclave in Tientsin. I was unaware of this historical oddity, the empire's only overseas colony. Now, after the end of the Great War, the official has been asked to write an account of his service. But he finds himself wandering the streets of Vienna (an alien city, as he is a native of Trieste) remembering seemingly random incidents of his time in China.

This is almost a prose-poem, for all its historical detail. There are some beautiful images, especially those of the Chinese man - possibly a spy or something more arcane - who made colourful paper boats for Western children. The end of the story is moving, artistically right, inevitable. It may seem odd to lament the collapse of old empires, but it is hard not to when they are represented by such civilised and humane characters.

Sunday, 6 January 2019

'The Light of Adria'

The collapse of the Austro-Hungarian empire and the fairly arbitrary frontiers that carved up its carcass is central to this Inner Europe story by John Howard. Zadria/Zadrograd is a Dalmatian port that was originally part of the Venetian republic, then flourished as part of the Habsburg's multi-ethnic system. It was once noted for its lighthouse. But after 1919 Zadria ends up as part of Italy, not Yugoslavia, and is thus cut off from old trade links, and culturally isolated.

In this backwater a young man struggles with history on a more personal level as a student at the small university. Kasun's family owns a winery, but now their vineyards are on the other side of the Yugoslav border. He dreams of restoring the Kasun fortunes, but how? Must newly-fascist Italy expand, or should Zadria be ceded to Yugoslavia? Students activists bicker over these options.

Running parallel to this familiar theme is Kasun's interest in the old lighthouse, which his professor, Giunta, is convinced has an esoteric history long predating Venice. The Fascist authorities want to light a beacon on the structure so it will shine out as a symbol of Italian power restored. Giunta seems to collaborate, to Kasun's surprise. But the special offering made by Giunta calls down powers that existed long before the nations we know.

The story ends with an implicit plea for tolerance, for the cosmopolitan 'citizen of nowhere' condemned by narrow nationalists to be considered truly civilised. Our duty is to 'maintain the light'. That is a welcome thought in dark times.

'The Fencing Mask'

Our next Mark Valentine story in Inner Europe is a tale of the dispossessed, and the terrible spell that the past can cast upon the young and vulnerable. Or that's what I think, anyway.

Three young men are trying to stay alive in a devastated, non-specific land. They could be in Eastern Europe in the closing stages of either world war. They scavenge, starve, freeze, and do their best to avoid others. Eventually, though, they decide to break into a villa to find shelter. The villa has been largely stripped, not looted, the owners taking most of the valuables. However, two fencing masks remain, fixed to the wall.

When one of the young men dons the mask, he is transformed. His friends save him, or at least attempt to. He explains that he 'had to put it on' and that it 'took hold' of him. The imprint of the mask remains, like the scars of war on the collective psyche, and the outworn rituals and beliefs that underpin so much collective violence.
That, at least, is my take on this short, intense, elegantly balanced tale. It might almost be a traditional ghost story, but its foreign, distinctly un-cosy setting put it into a different category. 

Saturday, 5 January 2019

'Another Sea'

Continuing this review of Inner Europe we come to John Howard's tale of exile, return, and the old religion. The story is set in London, and concerns the so-called Baltic states - Estonia, Latvia, and Lithuania. The often tragic history of those nations is woven into the fabric of the tale, which concerns the newly-restored independence of the three nations, and some strange events that follow.

The narrator is a London-born Lithuanian, closely concerned with the restoration of the ancient trading links that once enriched the famous Hanseatic League. But, beneath the veneer of nostalgia and patriotism, there is something else going on. This is a Machenesque tale of mystery beneath the commonplace. We learn that a pre-Christian form of worship survives among some of the Baltic peoples, and that some are in search of a fabled temple. 

This is a solid, satisfying story, interweaving history with myth, and offering intriguing mystical artefacts in the form of amber lenses. The amber trade that once enriched the Baltic region is tied to the old worship, but using the lenses to try and find proof of pagan faith proves problematic. As in some of Machen's tales, confrontation with mystical truth is unbearable, even to the best of us. 

With this, the fourth story of thirteen, I note recurring themes and ideas - deep cultural links across national boundaries, the truth lying hidden beneath the banal and conventional, the dangers of intolerant ideologies. I wonder what the next story will bring? Drop back in a day or so and find out. 

Friday, 4 January 2019

'Tregarrion's Bequest'

Mark Valentine's second story in Inner Europe looks at the complex interweaving of history, folklore, and culture. The eponymous scholar leaves a bequest to the nameless narrator (whose nationality is never revealed). The condition of the bequest is to continue Tregarrion's research into the links between Cornwall and Brittany, the region of France settled by refugees from the former Roman province of Britannia.

The bequest leads to a quest, taking the narrator to the Breton port of St Meriazek. There he attempts to engage the locals with a few words of the Cornish tongue, causing confusing and some dismay. When he asks about the local festival, or pardon, he is told that virtually every other town in Britanny has one. On his walks about the town he finds an odd buildings, sealed off by a wall, that may have some ritual significance.

The story's conclusion is suitably mystical, and satisfying. The link between Cornwall and Britanny is established in a surprising but undeniably valid way. But it is also a connection that could never be the subject of a scholarly paper. One could see this is a rather sad tale of a great tradition all but lost. Yet I found it oddly uplifting.

More on this collection very soon, I hope.

Wednesday, 2 January 2019

'Here Is My Country'

John Howard's first story in Inner Europe offers a striking contrast to Mark Valentine's tale of Ravenna. The setting Howard chooses is Bohemia in 1948, when a communist coup was engineered to force Czechoslovakia within the Soviet orbit. At the same time there were mass expulsions of the Sudeten Germans, part of the wider upheaval that saw vast displacement of civilians.

Against this background Howard offers a tale of a provincial town and its magnificent library - which, against all reason and probability, suddenly fills up with water. The library, the work of Herr Graupen, is a magnificent repository of books, art, indeed all European culture. It become inaccessible to most, but not all, of the populace as the nation is systematically betrayed.

I admit I'm not sure about this one. For me, the combination of historical realism with the surreal events at the library don't mesh very well. This could be down to my own ignorance, as for all I know flooded libraries are one of the key images of Czech literature. Suffice to say it's an interesting story that will probably repay rereading.

Stay tuned for the next story in this timely collection.

Tuesday, 1 January 2019

Inner Europe - Running Review

Here we go with another review of a new book from Tartarus Press. It's a good way to start the new year, I think. And what could be more timely than a book of stories about Europe, the continent we Brits are allegedly 'leaving'? John Howard and Mark Valentine have collaborated before, and here again we have two very gifted and erudite authors' offering various takes on a big subject.

Image result for inner europe howard

First up is Mark Valentine's 'The Roses of Ravenna'. This is a tale of decadence, complete with lavish descriptions of the late Roman capital, its many places of worship, its Byzantine art, and the marshes in which it lies. The unnamed narrator is a scholar who, judging by internal evidence (such as his wearing a cloak) is living in the late 19th century. He is fascinated by Ravenna, and the roses that grow out of the decay that seems to prevail everywhere. As always, Valentine's descriptions are precise and evocative. This story is also a time machine.

In Ravenna the narrator comes to know two other pieces of human flotsam who have washed up in the lost city. One, Casimir, is a beautiful youth who claims to be a worshipper of Nero, who was supposedly reborn as the boy emperor Heliogabalus. The second acquaintance of the narrator, a debauched Englishman called Lastinghham, is quick to point out that the Heliogabalus took his name from a deity who was identified with Baal. Human sacrifice is therefore on the table.

Happy New Year!

Here's hoping for a spooky 2019. And if you have stories you'd like to write, write them!

Don't forget to vote for your favourite story/stories in the latest issue! So far Rosalie Parker's story 'The Moor' seems to be running away with the contest, but it's still early days. Please show the authors that you appreciate their efforts.