So a friend regularly buys me a Netflix subscription for my birthdays and Christmas, and I spend a lot of time searching for decent horror films (among other things). My God, there's a lot of mediocre stuff out there. And yes, I know there always was, but today the not-very-good horror movie seems to be undergoing a revival. I suspect this is precisely because online streaming sites demand industrial-scale production of so-so movies with nothing new to say and no great chops in the scripting/acting/directorial areas.
The Pyramid is a good example of the 'meh' school of modern horror. It's not a cheapo thing cobbled together by some students. It's a 20th century Fox production, some money has clearly been thrown at it, and the cast do a decent job. What's more the subject matter - archaeologists locate mysterious pyramid, get trapped inside, stuff happens - is very appealing. I love me a bit of killer mummy, ancient curses, mad reincarnation stuff, Valerie Leon swanning around half-naked...
Where was I? Ah yes, the plot is simple enough. A documentary team are filming a dig in Egypt. A father and daughter team have discovered, courtesy of satellite tech, a huge buried edifice. It's a three-sided pyramid, vastly bigger and older than all those other pyramids in Egypt. But the Arab Spring is really kicking off so the police order the team to pack up and go. Needless to say, they make a last, hasty attempt to go inside and explore a bit...
The first thing wrong with the movie is that it's a bungle found-footage effort. Everybody goes inside wearing head-cam gizmos, but this conceit is overly-familiar and quite boring. Secondly, the shocks and mysteries they discover are also too familiar. They ramp up the curse concept by having this pyramid as the domain of the ultimate menace in Egyptian mythology, but the execution recalls a video game - there is much hiding round corners and peeping at monsters. Some scenes do offer decent jump scares and the overall look of the thing isn't bad. But that's about it.
The Pyramid might have been a much better movie if it had had a little camp humour and general silliness, but I suspect that's not what was required. Instead we have a familiar series of violent deaths and a twist ending that fall flat. And I'm not sure how it relates to the Arab Spring, which is foregrounded in the opening scenes. Somehow it felt cheap and a tad racist to make something so very real and bloody the backdrop to a bit of old tat that doesn't really work as horror, or indeed anything else.
Subscribe to:
Post Comments (Atom)
Issue 57 - Winter 2024/5
Cover illo by Sam Dawson, for Steve Duffy's story 'Forever Chemicals', which offers an interesting take on the London of the e...
-
Some good news - Helen Grant's story 'The Sea Change' from ST11 has been nominated for a Bram Stoker Award. This follows an inqu...
-
Go here to purchase this disturbing image of Santa plus some fiction as well. New stories by: Helen Grant Christopher Harman Michael Chis...
-
Cover by Paul Lowe illustrating 'Screen Burn' Steve Duffy's latest collection offers the discerning reader eight stories, five...
1 comment:
Another finger I'd point to blame for the glut of crap on streaming are the folks watching who REFUSE to watch anything older than a few years... and god forbid it in black and white!
So the conveyor belt must continue to chuggle out new! new! new! product... regardless of quality.
Half the viewers are watching with one eye on their cellphone anyway... so hardly notice the lack of substance on screen.
Post a Comment