Let the Right One In
It’s been snowing, and as I write this the year is dying. A good time, then, to review a film set in a Swedish winter during the second Cold War. Let the Right One In is a remarkable, unpretentious and very satisfying retake on the theme of the vampire as lonely outcast, and the fascination such a creature might exert on a certain kind of human. The twist, as you probably know if you’re into that sort of thing, is that the vampire in this case is a child – girl called Eli who has been ‘twelve for a long time’. While child vampires have been around a while, Eli is – I think – the first leading character of this sort. Oskar, Eli’s lonely neighbour, has been twelve for just over nine months. He lives with his divorced mother and sometimes visits his (gay) dad. He is being bullied at school and collects newspaper cuttings about grisly crimes; remember, we ...