'B. Catling, R.A. (1948-2022) was born in London. He was a poet, sculptor, filmmaker, performance artist, painter, and writer. He held solo exhibitions and performances in the United Kingdom, Spain, Japan, Iceland, Israel, Holland, Norway, Germany, Greenland, USA, and Australia. His Vorrh trilogy and novels Earwig and Munky have drawn much critical acclaim. He was also Emeritus Professor of Fine Art at the Ruskin School of Art, University of Oxford.' I had never heard of B(rian) Catling when I received a review copy of this book , which comes with three intriguing postcards 'featuring photographs by Iain Sinclair and text by Alan Moore' . I was a little puzzled. So I did some Googling and YouTubing and discovered that Catling was a very significant figure in the UK arts scene. I feel slightly ashamed that his work passed me by, but I have tried to dispel some of my ignorance. This book certainly offers a good overview of some of the man's ideas and personal visio...
Comments
The more popular where's my arm (told by someone else) did a lot better.
It sort of bothered me, thinking I had done a lousy presentation but I realized that what todays audiences seem to want these days, or this particular group anyhow, is the simple scare in a very short and compact story. The influence of too many bad horror movies I guess.
A bit of a downer but there it is.
I think you've hit upon one of those 'sad but true' facts. I wonder if M.R. James' stories are now more or less unreadable to horror fans? I'm not sure if it's bad horror movies to blame - I like horror movies and some modern ones are very good. But it's a different skill - listening to a story requires an ability to be attentive, remember details, and anticipate events in the mind's eye. Films do much of our imagining for us.