It’s hard enough to make a movie when you’re all on the same page. But when you suddenly discover in the middle of the movie that now they’ve decided that it shouldn’t be what they thought it was about, it should be about this … that’s a recipe for disaster.I agree with him about this, too.
I’m a James Whale student. His Universal Horror pictures were on TV when I was a kid. And a movie like The Invisible Man, the Invisible Man is throwing ink at people and being crazy and silly at one point, and then beating them to death with a stool in another moment. And it’s a dichotomy—because horror movies are essentially absurd anyway. The audience is always looking for something to laugh at, and if you give it to them, then they relax and then you can really scare them. But I always liked genres that cross.
And I second this endorsement.
There’s a movie called Idiocracy that Mike Judge made a couple of years ago, which came out to no particular notice, because the studio hated it and they buried it, but it has come true. It’s a predictive comedy about how awful the future’s going to be, and so many aspects of this movie have actually taken place, and are actually happening as we speak, that it’s almost not funny.