Fan Mail
A message from Daniel Mills:
Hi David,
I finished reading through the latest Supernatural Tales over the long weekend and wanted to pass along my thoughts, such as they are, along with my pick for best in issue.
What first struck me about this issue was the diversity in tone and style among the stories included: from the weird (“What Remains of Silence”) to the horrific (“Bracken Row”); from the apocalyptic (“The Light Wraith”) to the haunting (“The Face that Looks Back at You”).
The latter (Michael Kelly’s “The Face That Looks Back at You”) was for me a definite highlight, truly disarming in the best possible sense of the word: so spare and poetic, infused with all the chill and melancholy of the winter months but also with something of their cold beauty. Michael Chislett’s “The Light Wraith” was also excellent -- as a migraine sufferer, I don’t think there is anything in the realm of supernatural horror that can compare with the dreadful portent of the migraine aura.
But my favorite was Sam Dawson’s “Body of Work.” I found this tale absolutely superb: truly chilling, imbued with a terrific sense of place and rich with insight into the horrors of the past. I look forward to seeing more of Mr. Dawson’s work in print but for now will cast my vote for “Body of Work” as best in issue.
Finally—and to answer the question posed at the beginning of the issue—I would love to see a future issue of ST with 2 or 3 novella-length stories (rather than the usual mix of shorter tales). After all, just think how many of the true classics in the genre exist in the 10-25,000 word range. In the event that other readers agree, would there be an open call for long-form queries or submissions?
All the best,
Daniel
Hi David,
I finished reading through the latest Supernatural Tales over the long weekend and wanted to pass along my thoughts, such as they are, along with my pick for best in issue.
What first struck me about this issue was the diversity in tone and style among the stories included: from the weird (“What Remains of Silence”) to the horrific (“Bracken Row”); from the apocalyptic (“The Light Wraith”) to the haunting (“The Face that Looks Back at You”).
The latter (Michael Kelly’s “The Face That Looks Back at You”) was for me a definite highlight, truly disarming in the best possible sense of the word: so spare and poetic, infused with all the chill and melancholy of the winter months but also with something of their cold beauty. Michael Chislett’s “The Light Wraith” was also excellent -- as a migraine sufferer, I don’t think there is anything in the realm of supernatural horror that can compare with the dreadful portent of the migraine aura.
But my favorite was Sam Dawson’s “Body of Work.” I found this tale absolutely superb: truly chilling, imbued with a terrific sense of place and rich with insight into the horrors of the past. I look forward to seeing more of Mr. Dawson’s work in print but for now will cast my vote for “Body of Work” as best in issue.
Finally—and to answer the question posed at the beginning of the issue—I would love to see a future issue of ST with 2 or 3 novella-length stories (rather than the usual mix of shorter tales). After all, just think how many of the true classics in the genre exist in the 10-25,000 word range. In the event that other readers agree, would there be an open call for long-form queries or submissions?
All the best,
Daniel
Comments
Sam D
David, can I vote too? My favourite tale of the issue was "Foglass" by Stephen J. Clark. Profoundly hypnoyic and disquieting. In fact, every tale is a winner.
Now where's that ice cream you were talking about.
Though the content was certainly original, "The Light Wraith" reminded me fondly of Leiber's "Smoke Ghost."
"Bracken Row" had a killer closing line, the kind that tempts another writer to steal! It was encouraging to discover that this strong piece came from a relative newcomer.
I have to agree that "Body of Work" was rather chilling, kind of a modern "golem" story and very atmospheric. Since I don't often get much chance to travel, I appreciate stories that bring me places--even dodgy places! So thank you, Mr. Dawson...
I'd also been looking forward to reading "Foglass" ever since I saw that the author had also supplied the cover art for this issue. I saved this story for last, and was not disappointed. While the ending did not surprise, I don't think that Mr. Clark intended to carry off a twist ending so much as create a certain tone of (I'm reaching for a word I can't find here!) something between paranoia and agoraphobia. His story definitely evoked those feelings in me--and his illustration cemented the effect.
As long as votes are being cast, though, I have to say Michael Kelly's "The Face that Looks Back at You" takes the gold. A bleak winter ghost story with deja vu foreshadowing...my favorite ghost stories are heart breakers.
(Charles de Lint's "Timeskip" is another melancholy ghost story that rocked my world. Both Kelly's and de Lint's stories have a melancholy voice that clings to you after reading them.)
You're very welcome -- all praise is richly deserved. ST18 was, for me, one of this autumn's great reading experiences.