Having just watched this I am again impressed with how much was done in those pre-CGI days. Script, direction, lighting. Pity Dana Andrews was semi-comatose for the shooting.
Subscribe to:
Post Comments (Atom)
Issue 57 - Winter 2024/5
Cover illo by Sam Dawson, for Steve Duffy's story 'Forever Chemicals', which offers an interesting take on the London of the e...
-
Some good news - Helen Grant's story 'The Sea Change' from ST11 has been nominated for a Bram Stoker Award. This follows an inqu...
-
Go here to purchase this disturbing image of Santa plus some fiction as well. New stories by: Helen Grant Christopher Harman Michael Chis...
-
Cover by Paul Lowe illustrating 'Screen Burn' Steve Duffy's latest collection offers the discerning reader eight stories, five...
1 comment:
Thanks for posting this mind-expanding video-essay about a truly great film.
Andrews' inebriation works for the character (and the story) I believe.
And as for to-show-or-not-to-show the demon (the topic of much discussion about this film) the fact that the demon was added-on after Tourneur had labored to crank up the power of suggestion to full-force is actually a plus for this movie and makes it that rarest of horror films---one with maximum atmosphere, performances, and subtlety... plus a well-crafted and memorable vision of the unthinkable.
Post a Comment