Angela has recently lost a baby. Her mother-in-law left her home to Angela's surviving son, Wyll. When the boy discovers strange carvings under the floorboards in what was his grandmother's bedroom, he is put in touch with something. The mysterious something is connected to the old woman's bizarre experiments in breeding mink, of all things. The image of a strange, feral, furry creature recurs through the story. It is a tale of not one but two unreliable narrators, as neither Angela nor Wyll seem to have a very tight grasp on reality.
A strange one, this, and again an example of Charles Wilkinson exploring rural rather than urban horror, but in a way that has nothing nostalgic or 'quaint' about it. It is arguably a tale of witchcraft and/or madness, somewhat reminiscent of Nigel Kneale's 'Baby'. The possible roots of horror here are many and varied, but definitely there.