Tracy Fahey's story in Uncertainties III is a poetic, powerful account of what may be a mental breakdown. Certainly the final lines imply that the female narrator has suffered so much, lost so much, that she has been driven to extreme measures. But along the way the story is beautifully told, blending various ideas about the power of moonlight with a poignant account of very human loss.
I continue to be impressed by the sheer diversity of the stories Lynda E. Rucker has selected. Here is a tale that might be classed as fantasy, horror, or even 'straight' crime. But what makes it work is that it's a good story regardless of genre, packing a lot of effective imagery into a handful of pages. Every paragraph seems shot through with the colourless light of the moon, haunting and strange.
More from this anthology soon, I hope.
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Issue 57 - Winter 2024/5
Cover illo by Sam Dawson, for Steve Duffy's story 'Forever Chemicals', which offers an interesting take on the London of the e...
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Some good news - Helen Grant's story 'The Sea Change' from ST11 has been nominated for a Bram Stoker Award. This follows an inqu...
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Cover by Paul Lowe illustrating 'Screen Burn' Steve Duffy's latest collection offers the discerning reader eight stories, five...
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Cover illo by Sam Dawson, for Steve Duffy's story 'Forever Chemicals', which offers an interesting take on the London of the e...
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